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Friday, December 12, 2003
Some dude named Bob Lefsetz says some stupid shit about Missy:
30. Missy "Misdemeanor" Elliott "This Is Not A Test!" And, from an earlier entry on Jay-Z: And, rappers release a record a year, because unlike with rock catalog, once Now, don't get me wrong: there are artists to whom you could accurately apply this argument. But Missy? Jay-Z? No no no. I don't really have any urge to hit SoundScan right now, but I'm pretty sure they've got a reasonable amount of catalog sales--any music fan worth their salt knows that 2/3 of the Jay-Z albums, and all the Missy albums, are required listening if you want to understand how they got where they are today. And that's not even getting into the kind of catalog sales that Tupac, Biggie, etc. must enjoy. Look, what you said about a hip-hop record: it's just not true. It's like writing a column in 1965 saying that because the radio's not playing Chuck Berry that the only lasting records with the public are crooner and big band albums. Hip-hop is still pretty segregated on the radio in most areas of the country, but let's be honest here, right now it's in the same situation that rock was in the late 60's/70's: it is the mainstream. So yeah, in twenty years you'll probably get "classic hip-hop" stations--I mean, fuck, the last Missy album was a classic hip-hop album! Sure, there are artists like, I dunno, Chingy and Digital Underground and Naughty By Nature that have big flavor-of-the-week hits (and I mean that purely from an economic perspective) and then drop off the radar, regardless of the worth of their songs. But people are still buying "The Chronic." People are still buying "Doggystyle." People are still buying "Ready to Die." And this is just the white audience--it seems reasonable to assume that the back catalogs of Mary J Blige and a whole host of others are doing just fine as well. Look, one of the reasons Missy and Jay are so appealing and likable is that they manage to make hits that are also examples of great art. And if, fuck, Steve Miller Band is lasting art (and I'm not saying it's not) then "Miss E...So Addictive" and "The Blueprint" sure as hell are, too. On a certain level, I guess it sucks that the biz is so hit-driven, but the reason Jay and Missy have lasted is that they make hits that are also, regardless of that, great music. The two are hardly incompatible. I recognize that, in many ways, he's making a purely practical argument here, that rock catalogs sell while hip-hop catalogs don't. But I think you're comparing apples to oranges: flavor-of-the-week hits in rock--the Beatles, Elvis, the Rolling Stones, Queen, etc.--have endured and prospered. Give it all a while before pronouncing hip-hop a shallow hit factory like some hyperventilating schoolmarm. (additional: Lefsetz-EMI snipefest here)
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