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Monday, March 29, 2004
Absolutely killer post over at The Rambler extended the serialist notion of "Klangfarbenmelodie" to modern pop production, calling it "Klangfarben-beats." (Zing!)
The result of Klanfarbenmelodie composition is a kaleidoscopic, fractured sound world, where conventional continuities no longer exist. Structure, musical differentiation, is heard sequential, almost note by note, rather than horizontally between longer, interacting layers. The more familiar format of a melody, played on a single instrument, naturally, and an accompaniment has been abandoned; now every instrument is an equal partner in constructing a single, ever-changing continuity. If you just try listening to one instrument at a time in a piece of late Webern or early Stockhausen, the music won't make very much sense. For it to do so, you have to take an aural step backwards, take the whole in at once. Yes yes yes yes yes. Great stuff, especially in pointing out the way a simple beat can be quite complex when you try and analyze it. Go read the whole thing.
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